“Gavin Martin was definitely one of the good guys,” says Paul Charles. “He was close to a lot of musicians, but wasn’t afraid to set the tone when he felt some of their work was below par. The funny thing is that the majority of artists really liked him. for his honesty…”

Tributes continue to pour in for music writer Gavin Martin, who grew up in Bangor, who died while vacationing in Barbados on March 10, aged 60.

During the Irish punk rock summer of 1977, while still a teenager, Martin co-founded and edited the influential fanzine Alternate Ulster – to which a young Steve Morrissey contributed. Stiff Little Fingers originally wrote their iconic anthem, “Alternative Ulster”, for a Flexi disc to be released by the fanzine.

Martin continued to write for NME, having first appeared in the magazine’s letters section when he was just 13 years old. He wrote the first NME cover interview in 1981, before the release of October. Later, he took on the role of music critic at The daily mirror.

In December 2017, he released Talk about musical revolutions, a spoken word/punk collection of “coming of age tales told amid rest and fire.”

“I was an avid reader of Gavin Alternate Ulster fanzine, which I bought with glue sniffer in Rough Trade, and his debut NME dispatches,” says heat press Deputy Editor, Stuart Clark. “He made Belfast sound like the punk rock capital of the world, which maybe it was at the time. If Gavin Martin said a record was worth buying, that was enough for me.

“I never got to meet him, but I was incredibly excited a few years ago when he followed me on Twitter. We had a few back and forths, and he said some really nice things about heat press. He got along wonderfully with the late, great HP writer Bill Graham, so we swapped stories about Bill and thought we’d hopefully meet up someday for a pint. Sadly, that won’t happen now, but I’m glad I got to tell him how the 13-year-old junior punk rocker, me, devoured the NME at the time.”

Renowned Northern Irish music promoter, manager and writer Paul Charles also paid tribute to Martin, calling him “one of the good guys”.

“He was close to a lot of musicians, but wasn’t afraid to set the tone when he felt some of their work was below par,” Charles said. heat press. “The funny thing is that the majority of artists really liked him for his honesty.

“His own spoken word art was amazing, very moving and…that word again, honest,” he continues. “The great thing about a Belfast audience is that if you’re the real deal, they’ll support you to the nth degree. On the other hand, if you can’t cut it, especially live, they can’t. never feign their lack of enthusiasm.

“The ever-young Gavin Martin embodied the Belfast crowd. He was a good guy – with a heart of pure gold.”

Belfast-based music writer and broadcaster Stuart Bailie shared an in-depth tribute to Martin on Facebook, describing him as a “music writer, NME pillar, poet, expletive, proclaimer, natural mystic.”

“Author of many amazing features,” resumes Bailie. “Interviewed by Marvin Gaye just before the singer died. Sat down with Youth on a Killing Joke Hell Tour and they wrote letters to their mothers. Sobbed with Strummer about dead relatives. Took phone calls Strangers in Terence Trent D’Arby’s office. I’ve written about Dexys, Ice T, James Brown, Jerry Lee Lewis…”

“He was no one’s pet journalist,” he wrote. “His account of the U2 Lovetown tour in 1989 was light writing as he traveled through Japan and communed with BB King. Gavin’s father fought in World War II and helped liberate Belsen. He later became a union leader. Gavin absorbed some of that sense of mission and righteousness.

Taking to Twitter, the Pogues shared an image of their NME interview with Martin – remembering him as a “brilliant writer, great company and a true friend”.

See more tributes to Gavin Martin below: